24 - Micky Mousing, Hit Points, and Shift Points

24 - Micky Mousing, Hit Points, and Shift Points

Mickey-Mousing is the act of synchronizing musical structure and beats to specific on-screen actions. It's called "Mickey Mousing" because the technique was commonly used in old Disney cartoons. You know, when Donald Duck falls off a cliff and you hear a downwards chromatic scale, capped with an orchestra hit when the unfortunate fowl hits the ground. This is also called "scoring to visual rhythm". 

This technique works quite well for animation, but can feel a little out-of-place in live action films, where is can feel particularly comedic, dopey, or jarring. So when it IS done in lave action films, it's usually played down a lot, or played to comedic effect. 

The use of Mickey-Mousing in a film is going to depend on the genre of the film and the vision of the director.

In a lighthearted film like The Screenwriters, the aesthetic and flavor of this film can accommodate some more mickey mousing than a more serious drama, like Polycarp, where this approach feels very inappropriate and irreverent. 

HIT POINTS AND SHIFT POINTS

A hit point is a spot when a beat or hit in the music is intended to sync with a specific frame or act in the video to emphasize that precise moment. Like a Brass stab syncing with a punch or a door slam, or a glockenspiel strike emphasizing a wink for comedic effect. 

A shift point (or turning/pivot point) is a place in a scene where the emotional task of the music in the cue shifts from one thing to another. Shift points are not as obvious as hit points, and may be completely seamless and unnoticeable, evolving over the space of 30 frames or 30 seconds: a shift point is a fulcrum around which the direction of the drama in a scene makes a definite change.

YOUR ASSIGNMENT:
Watch a few old Disney cartoons to see the technique in action as it existed in the early days. For a more developed use of the technique, follow this up by watching Bruce Broughton's masterful score to "The Rescuers Down Under", which includes some of my all-time favorite mickey-mousing. Also consider watching John Debney's "The Emperor's New Groove" for a fantastically funny use of the Mickey-Mousing technique.

ASSIGNMENT #2:
Watch three scenes from favorite films of yours, and see if you can identify the hit points and shift points in in those cues.

Film Scoring for Beginners

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  • 1 - Welcome and About This Course

Film Scoring Definitions and Fundamentals

  • 2 - The Role of Music in Film
  • 3 - The Vocabulary of Film Music
  • 4 - The Film Composer
  • 5 - Tips for Diversifying your Musical Output
  • 6 - Working With The Director
  • 7 - Tips for Working with Inexperienced Directors
  • 8 - The Other Team Members

Career and Business Matters

  • 9 - Career Goals and Dreams
  • 10 - Developing Your Career Goals
  • 11 - Essential Tools for the Beginning Film Composer
  • 12 - When You Get The Call: Rates, Interest, and Availability
  • 13 - Thoughts about Contracts and Agreements

Score Pre-Production

  • 14 - Developing the Score: Breaking Down the Film
  • 15 - Developing The Score: Finding "The Sound"
  • 16 - Developing the Score: Crafting Themes and Association
  • 17 - The Power of Musical Placement in Film
  • 18 - The Spotting Session
  • FCA Cue Sheet Template.xlsx
  • SCREENWRITERS CUESHEET for FCA.jpg
  • 19 - Scheduling the Workload
  • 20 - File Management: Receiving, Importing, & Sync

Principles of Placement in Action: The Screenwriters

  • 21 - Breaking Down a Scene from "The Screenwriters"

Scoring To Picture

  • 22 - Home and Away: Principles of Musical Tension and Resolution
  • 23 - Getting Inspiration, Originality, and Ideas
  • 24 - Micky Mousing, Hit Points, and Shift Points
  • 25 - Structure and Arc in the Cue
  • 26 - Finding the Rhythm and Tempo of the Scene
  • 27 - Emotional Point of View
  • 28 - Key Choices, Modes, and Modulation
  • 29 - Fitting Music Around Dialogue and FX
  • 30 - Using World/Ethnic Instruments
  • 31 - Scoring Cue Entrances and Exits
  • 32 - How to Create Effective Underscore
  • 33 - How to Score an Action or Chase Scene
  • 34 - How to Score a Funny Scene
  • 35 - How to Score a Romantic or Tender Scene
  • 36 - Scoring the Big, Iconic Music Moments
  • 37 - Common Film Scoring Problems and Solutions

Benjamin Botkin Scores a Scene from "Charade"

  • 38 - Re-scoring Charade Part 1: Planning
  • 39 - Re-scoring Charade Part 2: Composing
  • 40 - Re-scoring Charade Part 3: Timing and Finishing
  • Screenwriters Scoring Assignment Video and Notes.zip
  • Charade Re-scored (Finished Scene)
  • Charade Rescored MIDI and VIDEO.zip

Finishing Up

  • 41 - Finishing Up: File Delivery and Final Steps
  • 42 - Thank You (And What's Next)!
  • Course Completion Feedback Survey

Complete Course Audio

  • Film Scoring for Beginners COURSE AUDIO.zip

Additional Resources

  • Resource List for Further Learning
  • Video Resources for Film Scoring Practice
  • Great Scores and Scenes to Study
  • Screenwriters Brainstorming Scene NOMUSIC.zip